Kisse Pyaar Karoon - Movie Review

Rating: * Certain themes worked in the '70s and '80s. But they seem completely out of place in today's times. You can't connect with them, plain and simple. That's the issue with Kisse Pyaar Karoon. Kisse Pyaar Karoon? uses every rule in the book to entertain the viewer. It borrows heavily from all masala films that one has watched and admired over the years. To give the credit where it's due, a few scenes are indeed funny. But it comes too late in the day. Ideally, it should've released a couple of years ago. Sid (Arshad Warsi), John (Aashish Chowdhry) and Amit (Yash Tonk) are thick friends. Everything is going fine till Sheetal (Udita Goswami) enters the scene. She plans to usurp the wealth of John. She entices him and John falls for her. Realising that Sid and Amit could thwart her plans, she creates problems and hurdles in their friendship. Sid and Amit realize her game and plan to throw a spanner. They decide to drill sense in John, but John is in no mood to listen. He's completely smitten by Sheetal. Sid and Amit embark on a plan to save John from Sheetal. Director Ajay Chandhok displays a flair for comic entertainers, but there's not much he can really do since the writing (Yunus Sajawal) is archaic and outdated. The same formula has been repeated so many times in the past, you don't react to it any longer. Despite the shortcomings, Chandhok has the potential to strike the right note if he gets the right script. Daboo Malik's music is pleasant. The title track and 'Bechain Saansein' come easy on the lips. Arshad Warsi, Aashish Chowdhry and Yash Tonk play to the gallery. We don't expect histrionics in a film like this. Instead, we look for buffoonery and that's what they end up doing. Udita Goswami makes her presence felt, while Aarti Chhabria is hardly there. Shweta Menon entertains when she's on screen. Shakti Kapoor and Ashish Vidyarthi are wasted. On the whole, Kisse Pyaar Karoon? comes too late in the day. Perhaps, this masala film may've struck a chord a few years ago, not today.

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I don't believe that wearing a bikini leads to success: Raima Sen

Moon Moon Sen's daughters Riya and Raima Sen have carried the beauty legacy ahead in Bollywood started by their beautiful grandmom Suchitra Sen but success has however constantly eluded them. Especially Raima who despite some really good performances in films such as Godmother and Manorama Six Feet Under and the very recent Mere Khwabon Mein Jo Aaye have got applause from the critics but no box office success. We asked the demure and petite actress about her lack of recognition, her relationship status and what’s on the cards for her career wise. About her career, Raima states, “I know well that to reach that particular level of big stardom it does take time. But I think I am on the way. I am certainly trying my best and I feel that I have not gotten the right recognition so far but I will never lose sight of my goal. I will make my way to success. Would she follow the trend of doing bold roles or ever resort to the skin show that many actresses adopt these days in their films? “I don't believe that wearing a bikini leads to success. I have not given it any thought beyond that, ” says Sen. As for her personal life, Sen is single but not ready to mingle. She reveals, “My focus is on my career. I am not looking for any sort of relationship right now. When the time is right, everything will fall into place. Right now, there is no one in my life.” Raima’s next film up for release is Teen Patti, which also stars Amitabh Bachchan. “Apart from that, there are a few more scripts that I am reading right now, ” she concludes.

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People say I need to get a boob job, but I’m comfortable the way I'm: Freida Pinto

Photography by George Pitts Indian actress Freida Pinto Made it to the U.S. without doing the same old song and dance. Though the 23-year-old former model from Bombay auditioned for melodramatic Bollywood roles, she’s going Hollywood with her film debut, playing a child of the ghetto in Danny Boyle’s Slumdog Millionaire. Hood never looked so good. How hard is it to break into India’s film industry? It’s really difficult. You have to have a godfather or parents who can get you in. I got into modeling for the visibility factor, hoping that portals would open up for me to act. I did a lot of print because people found me too skinny in India to do television. We have the voluptuous, full-figured woman thing. People say I need to get a boob job, but I’m just comfortable the way I am. Is Bollywood as sleazy as Hollywood is? Three or four years back, I was auditioning for a film and I met this man who was like, “We can be good friends, ” with a twinkle in his eye. I knew where that was coming from, and it didn’t feel right. Would you ever do nudity or a sex scene? I don’t think I’d have an issue (doing a love scene), but it all depends on the director—what kind of work he’s done in the past. In India, I probably wouldn’t do something like that; it’s kind of taboo. It usually gets cut off at the censorship board level, so what’s the point of having shot it? What’s the best way for a guy to approach you? Back in college, if boys did the most stupid thing, like compose a silly song, I’d listen. It could be something really stupid, like a rap for all I care. Have you ever used your acting abilities to manipulate men? Hmm… (Laughs.) If you have it, you gotta use it.

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Scoop: Rahman comes THIS close to death in LA

While all the hoopla and euphoria surrounding A R Rahman’s double Oscar has been talked about no one knows he had a close shave with death during the rehearsals for his stage performance for the Oscars. The shocking shave with death came to light after Rahman’s return to India on Thursday when he blurted out the truth innocently. The accident could’ve proved catastrophic and would’ve meant almost sure-death for Rahman. Recalling the nerve-wracking experience Rahman says, “I really don’t know what happened. Two days before the Oscars we were rehearsing at one of the theatres for the Oscars, the Jay Leno Show and the Oprah Winfrey Show when a massive chandelier, covering portion of the ceiling crashed to the spot just a split -second after I moved away.” This isn’t just a routine drama-in-real-life occurrence. Divulges Rahman, “ If I hadn’t moved way I’d have become history after making history in no time at all.The chandelier crashed exactly at the spot I was standing in just seconds before. It left me shaken but not terrified. I guess it was God’s warning not to take any of the good things that are happening to me too seriously.” Sighing in relief Rahman says, “I think the love and prayers of all those who love me saved me. As I walked from the left side of the stage to the right I could feel a heavy drop from the air, like water rushing down from a height of 30 to 40 feet. So with the good came the rude reminder of how quickly it can all be snatched away.” Says Rahman, “When I did Oprah Winfrey’s show for the Oscars she asked me what Jai ho meant. I said it meant, ‘May the victory be yours.’ She wished the same back for me and I could see she meant it. It’s the best wishes from the world over that saved my life that day.” Rahman says he wasn’t the least scared being so close to death. “What has to happen will happen. I believe one is constantly walking hand-in-hand with death. Death is like a constant companion. But let’s not go into dark spaces right now.”

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Aishwarya and Abhishek have no plans of having a baby

The film has not taken the box office by storm but when I meet him for this interview at his office in the bungalow Janak, Abhishek tells me that what appealed to him when he was offered the film Delhi 6 was the fact that though Roshan is an American by mind, he is an Indian by heart. "It was not at all tough for me to get into the character of Roshan, because I could easily connect to it, since I could understand him, having spent twelve years abroad in a different culture. I could relate to the character because like Roshan, I too had learnt abroad and know how it is to feel like an outsider, though born and brought up in a hard core Indian family, steeped in the culture of the ancestors". Abhishek had almost lost the opportunity to act in Delhi 6. "When Rakeysh Om Prakash Mehra gave me the script to read it, frankly I did not know whether he wanted me to be a part of the film because in the past too he had given me the script of his films. I was happy when he said that he wanted to cast me in Delhi 6, though I could not adjust my dates for the shooting since he wanted to shoot in the winter in Delhi though I had committed those dates to Mani Ratnam for Guru. Rakeysh asked me whether I would mind if he goes ahead with the film with some other actor and reluctantly I had agreed too. I think I was destined for the role of Roshan because came back to me, after tweaking the script after a year". Earlier, Abhishek had flatly declined to be part fo his film Rang de Basanti. "When he came to me with the script of Rang De Basanti, I could not understand it at all. To add to my confusion, he had then decided to call his film not Rang De Basanti but Paint It Yellow. I could not fathom how he could show Bhagat Singh in contemporary setting and said no to be part of the film and after I said no to it, he approached Aamir Khan. The rest is history. " Even after Rakeysh had finalized Aamir for Rang De Basanti, he came to him once again to offer the role of Siddharth in Rang De Basanti when Arjun Rampal walked out. However, Abhishek says that he told him that he could not be a part of the film because he could not understand the subject at all. Laughs Abhishek, "I told him that I was not as intelligent as Aamir Khan is. The role then went to Siddharth". Abhishek admits that though Drona was only two hours and ten minutes long, thanks to its screenplay, people felt it was too long. "As an actor, I feel you have to be immune to both hits and flops. You work hard in every film and naturally want it to click, because there is an emotional 'connect' to the actors with their films". Abhishek is of the opinion that his life has not changed after marriage in any way, because now he has a wife like Ash who he considers to be his best friend. Abhishjek denies that it is a conscious decision on his part to do most of his films with Ash. "It is petty to think that I maneuver to have Ash in every film of mine. I do not decide who should be cast in a film as my leading lady. I do not insist that Ash should be my leading lady. I did two films last year after marriage and Ash was not there in them at all. Ash was not there in Delhi 6 with me. Mani wanted her in his film which has a working title like Ravana and Abhinav Deo was keen that she should be a part of his film. " Abhishek confesses shyly that he and Ash have still not thought about an addition to their family. "We feel that a child is God's gift and frankly have not planned about having a child as of now because both of us are quiet busy with work. As and when we do have a child, what is of primary importance is that we should have a healthy child and it is immaterial whether we have a son or a daughter". Abhishek's next releases will be Balki's Pa in which he has been cast with his dad, Mani's film, in which his co-actors are Vikram, Ash and Ravi Kishen and Rajeev Menon's next film, which has been inspired by his parents' film Abhimaan.

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On the sets Veer at Amber Fort

Salman Khan’s self-scripted period drama, in which he is playing a warrior fighting against the British rule, has stopped shooting at Amber Fort, Jaipur, after an accident on its sets caused injuries to fans watching.

Here are snapshots of the stars in action on the sets before the Rajasthan High Court issued a stay order on the filming there.

Salman Khan’s green signal


Phirang wrestler


Jaadu ki jhappi


Ready for action

Veer is now being shot for at City Palace, Jaipur. The film is slated to release by the end of 2009 .

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Delhi 6 - Movie Review

Rakeysh Omprakash Mehra thinks out of the box and it's more than evident now. First AKS, then RANG DE BASANTI, now DELHI 6. A two-liner of the story may give you an impression that it's similar to UTV's earlier outing SWADES, directed by Ashutosh Gowariker: An American of Indian origin returns to his roots and decides to stay back in India. But DELHI 6 bites more than it can chew.

Set in old Delhi, the screenplay [Rakeysh Omprakash Mehra, Prasoon Joshi, Kamlesh Pandey] takes its own sweet time to come to the point. In fact, the entire first half is dedicated to the sundry characters in the bylanes of old Delhi, where several stories run parallel with the main plot... The two warring brothers [Om Puri, Pawan Malhotra] and the wall that divides the two; the daughter of the house [Sonam Kapoor] aspires to be an 'Indian Idol' contestant; a moneylender's [Prem Chopra] wife has an illicit relationship with one of his lecherous debtors [Cyrus Sahukar]; an 'untouchable' [Divya Dutta] makes more sense than the so-called thekedaars of samaj; a friend of the family [Rishi Kapoor] has still not forgotten his first love [Tanvi Azmi]. Oh yes, there's also a 'Kaala Bandar' who spreads havoc in the locality. Really, Rakeysh tries to pack in multiple stories in those 2.18 hours.

But, alas, the problem is that barring a few individualistic sequences, you don't carry the film home. The film is engaging in bits and spurts. Worse, it tends to get monotonous, preachy and boring and the end is so bizarre, you actually want to ask the writers, 'Hey guys, you okay?'

Let's cut a long story short: Rakeysh Omprakash Mehra misses the bus this time.

DELHI 6 tells the story of a young American boy Roshan [Abhishek Bachchan] of Indian origin, who comes to India for the first time, to drop his ailing grandmother [Waheeda Rehman]. She wants to retire and spend the last leg of her life back home; dissolving into the soil she was born in.

In America, having led a very western lifestyle, Roshan is not familiar with the sites and smells, the food and culture, the religion and beliefs, this huge melting pot that India is. He believes that Dadi had left her family and loved ones back in America, only to realize that how wrong he was.

The warmth and affection of the neighbourhood embraces him with open arms. Amidst all this he meets the beautiful Bittu [Sonam Kapoor], who wants to break free from the typical Indian social structure, to whom Roshan is destined to lose his heart.

That Rakeysh Omprakash Mehra is an accomplished storyteller is evident in several individualistic scenes. Note the scene when Vijay Raaz slaps Abhishek and Abhishek slaps him back. Also, portions in the second hour, when a Baba [Akhilendra Mishra] triggers off the Mandir-Masjid talk and divides the two communities, is very well structured. The sequences are disturbing and the writers and director succeed in exposing the fickle-minded people residing in the locality.

But the screenplay isn't foolproof. The romantic track is the weakest link in the enterprise. The love story falls flat. Also, the ending is so abstract that an average moviegoer would find it difficult to comprehend what the actual culmination is. The sequence in the end, when Amitabh and Abhishek have a conversation, looks weird. In fact, ridiculous. What was the need to have this sequence? It makes no sense. Even the Ram Leela sequences, interspersed at regular intervals, are forced in the screenplay.

Rakeysh's handling of the subject is exemplary at places. But the writing [faulty at times] as also the execution of the material isn't the type that would appeal to all sections of moviegoers. A.R. Rahman's music is outstanding; it's easily amongst his finest works. 'Masakali', 'Ye Dilli Hai Mere Yaar', 'Rehna Tu', 'Maula' and 'Genda Phool' are amazing tracks. Ditto for Prasoon Joshi's lyrics; they're gems. Binod Pradhan's cinematography is brilliant. Watch the Jama Masjid sequence [breath-taking] or the camera movements in the bylanes of old Delhi. Just one word to describe the output: Incredible!

Abhishek doesn't work. Also, his American accent looks fake. Sonam is likable. Waheeda Rahman enacts her part well. Rishi Kapoor is wasted. He deserved a better role. Amongst supporting actors, Om Puri [powerful], Pawan Malhotra [flawless], Vijay Raaz [tremendous], Deepak Dobriyal [genuine], Divya Dutta [admirable] and Cyrus Sahukar [likable] leave a mark.

Prem Chopra is alright. Atul Kulkarni looks like a buffoon. And what is Raghvir Yadav doing in this film? Supriya Pathak, Tanvi Azmi, K.K. Raina, Akhilendra Mishra and Dayashanker Pandey are passable. Amitabh Bachchan's presence in the penultimate minutes fails to evoke any reaction.

On the whole, DELHI 6 has a terribly boring beginning [first hour], an absorbing middle [second half] and a weak end [climax]. At the box-office, the business is bound to be divided. The film may record bountiful collections at multiplexes in its opening weekend. The popular music as also the fact that there's no major opposition will benefit the film in the initial days. But the business at single screens as also the mass belt will be a shocking contrast. However, the cracks will start appearing sooner than expected, even at plexes. Thumbs down!

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MTV VJ - Anushka Hot In Bikini

MTV VJ - Anushka Hot In Bikini
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