Nargis Fakhri At Rockstars Concert With A R Rehman

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Golden Decade Honours to be given at IIFA 2009

In its tenth year, the IIFA Academy has decided to institute a special set of awards to commemorate the last decade of Indian Cinema. It has put together nominations in five major categories for The Videocon IIFA Golden Decade Honours, which will be announced at the IDEA IIFA Awards on June 13 in Macau. The five categories are: Star of the Decade – Male, Star of the Decade – Female, Movie of the Decade, Director of the Decade and Music of the Decade.

The nominations are as follows:

Star of the decade – Male: Aamir Khan, Shah Rukh Khan, Salman Khan, Akshay Kumar, Hrithik Roshan and Abhishek Bachchan.

Star of the decade – Female: Aishwarya Rai Bachchan, Kareena Kapoor, Rani Mukherji, Preity Zinta and Priyanka Chopra.

Movie of the decade: Hum Dil De Chuke Sanam (2000), Kaho Na Pyaar Hai (2001), Lagaan (2002), Devdas (2003), Kal Ho Na Ho (2004), Veer Zaara (2005), Black (2006), Chak De India (2008) and Rang De Basanti (2007).

Music of the decade: Taal (2000) - AR Rahman; Kaho Na Pyaar Hai (2001) - Rajesh Roshan; Lagaan (2002) - AR Rahman; Saathiya (2003) - AR Rahman; Kal Ho Na Ho (2004) - Shankar Ehsaan Loy; Veer Zaara (2005) - Madan Mohan; Bunty Aur Babli (2006) - Shankar Ehsan Loy; Rang De Basanti (2007) - AR Rahman and Guru (2008) - AR Rahman.

Director of the decade: Sanjay Leela Bhansali for Hum Dil De Chuke Sanam (2000), Devdas (2003) and Black (2006); Rakesh Roshan for Kaho Na Pyaar Hai (2001) and Koi Mil Gaya (2004); Ashutosh Gowarikar for Lagaan (2002); Yash Chopra for Veer Zaara (2005); Raj Kumar Hirani for Lage Raho…. (2007) and Shimit Amin for Chak De India (2008).

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DR. A.R. Rahman

The musical genius will be conferred a doctorate by the Middlesex University!

A R Rahman is on the receiving end. After the honorary doctorate offered by the Anna University, Chennai for his achievements in the field of music, now it is the turn of Middlesex University, London.

The Mozart of Madras has been identified for an honorary degree by the reputed Middlesex University, London. The degree is likely to be conferred on the maestro on the day of the Graduation Ceremony to be held at Middlesex University in London in the month of July this year. Mr. Joe Victor, Regional Director of Middlesex University met Mr. A.R Rahman and Mr. T Selvakumar Co-founder & CEO of KM Music Conservatory in Chennai, regarding this issue.

KM Music Conservatory & Audio Media Education was launched in the month of July last year. Their main goal is to train Indian students in Western music performance, Composition and Music Technology so that they can compete in the international arena. They are also working towards forming their own symphony orchestra consisting of its own musicians.

Talks are on with the Regional Director South Asia of Middlesex University, London, for academic recognition for the Bachelor of Arts Honors Program for Music Composition and Music Performance. This will be a three year program the first two years of which will be at Chennai at the KM Conservatory and the final year in London. The course is likely to start from January 2010. The eligibility criteria to avail this degree would be a pass in twelfth standard and one year training in KM Music Conservatory Foundation Program.

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I don't think my voice suits Salman Khan: A.R. Rahman

This year has been a treat for A.R.Rahman fans. After a royal, vintage score in Jodhaa Akbar you gave us the peppy and zany Jaane Tu...Ya Jaane Na. What do you have in store for your fans with Yuvvraaj? The music of Yuvvraaj is something which we (Mr, Ghai, Gulzaar saab and myself) have all worked very hard on. Since the film itself is a musical, the music plays a very important role. I wouldn't like to say much about what's in store as far as the music goes. I don't even want to say the clichéd stuff that this is completely different from what I have done. All I would like to ask the people is to listen it for themselves and I hope they like it (smiles). Subhash Ghai's films are known for the music and this one is a musical. You've worked with Mr. Ghai earlier in Taal and then in Kisna. How similar or different has been the experience working with the showman? It has always been a pleasure to associate with Subhashji on his projects. Working on the music of Yuvvraaj has been a creative challenge for me, as Subhashji has always been associated with melodious music and has a vast understanding about the subject. As for comparisons with Taal, all I would say is that this is completely different. It's a different story, set in a different place and is also multi-cultural. Taal was more Punjabi-friendly, remix, rhythmic kind of music etc. whereas Yuvvraaj is more about melody and love etc... Yuvvraaj being a musical and a grand film, audio is just 50%. The visuals and the music complement each other. Did you give him many sleepless nights considering you like to work at night? I had a request from Mrs. Ghai asking me not to work very late in the night. So whenever it was 12 at night, I used to tell him, "I am tired. So let's call it a day" (laughs) The music of Yuvvraaj has a very European kind of a feel with symphony, large scale orchestrations etc. Yeah, we've used a Motif from Beethoven's 5th Symphony because the story is set in Austria/ Prague etc. Hence, we wanted that experience and feel to come alive through the music. After 'Jashn-e-Bahaara', Javed Ali became a household name; after 'Kabhi Kabhi Aditi', Rashid Ali had truly arrived. Do you think it's going to be Benny Dayal this time who has crooned the soulful 'Tu Hi Toh Meri Dost Hai' in Yuvvraaj? I hope so (smiles). I really wish Benny has a great future. He is a very hardworking boy. In fact, he has even sung a song for me in Ghajini which I am sure people will like. My best wishes are always with him. You are known to give new singers a chance be it Naresh Iyer or Rashid Ali or Benny Dayal. How do you find this new and untapped talent every time? It just happens. We just check them out and if they are good enough we give them a break (smiles). They usually say that you reserve the best track for yourself in every album, be it 'Khwaja Mere Khwaja' in Jodhaa Akbar or 'Tu Bole' in Jaane Tu....is it true in the case of Yuvvraaj? (smiles) In Yuvvraaj, I have not sung much. I have just sung bits and pieces here and there. Though Mr. Ghai wanted me to sing, I don't think my voice matches Salman Khan's. He has a much deeper voice. If I feel convinced that it's working for the betterment of the film's music I retain it, else I remove it. How long did it take to compose the music for Yuvvraaj and what was the brief given? The initial brief was Mr Ghai always wanted to have a full fledged orchestra kind of a musical score and with Yuvvraaj he has fulfilled his desire. I hope people like it and appreciate it. Lyrics have been written by Gulzar Saab...How has been the experience working with him? I love working with Gulzaar saab. His whole temperament and vast experience is something which I really admire. All the films that I have worked with him have been really enjoyable. I know one should never ask a music composer to pick his favorite track but nevertheless which track is closest to your heart? I like 'Tu Muskura'...it's a really soulful number. A lot has been said about Katrina playing the cello. Whose idea was it and is it the first time that the cello has been used in a Hindi film? It was Mr. Ghai's idea. I don't think the cello has been used in any other Hindi film on screen. The sight of a beautiful girl playing an instrument like the cello seems like an overwhelming visual. It's really nice. Have you used the cello in many songs? It's almost interwoven in every song. Is it true that the sound of the cello is closest to the human voice? Yes...provided it's played properly (laughs) In today's time and age there doesn't seem to be any rivalry among music composers. You have someone like Shankar Mahadevan who every now and then sings for Vishal-Shekhar and even Vishal has sung a lot for Shankar- Ehsaan-Loy. Have you been approached by other music composers to song and will you do that? I have been approached. They have been very kind to ask me to lend my voice but I am signed by a company and hence cannot go beyond my contract. Which soundtracks have you liked in the recent past? I've heard a couple of songs of Rock On. I loved the trailer and the whole concept seems really interesting. I want to watch Rock On. Earlier this year, on your birthday you launched your dream project K M Music Conservatory in Chennai. How is work coming along on that front? It has been really good. The first batch of students has already been enrolled and the response has been more than encouraging. Is it true that you are part of a T.V. show called The Big Band? Could you take us through that? The Big Band is a search for the best band. I liked the concept when Phat Phish came and narrated the idea to me. We are looking at exploring talent not just across India but also from neighboring countries such as Pakistan, Bangladesh, Sri Lanka, Malaysia etc . It will also facilitate in some sort of a cultural exchange between our musicians and their musicians. I am really excited about being part of the show. Finally, what's next in line after Yuvvraaj? After Yuvvraaj, there is the Aamir Khan starrer Ghajini. I am also doing the music for Shree Ashtavinayak Cine Vision Ltd.'s multi-starrer Blue. There is also Danny Boyle's Slumdog Millionaire, the music of which is already done. So there's a lot to look forward too.

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