Katrina Kaif's night out for Rs 1 crore

Katrina Kaif is surely riding high these days. After delivering hits like Namastey London, Welcome, Race and latest being Singh Is Kinng, Katrina has indeed moved to the A-league. Now the actress is cashing in on this very popularity of hers by agreeing to perform at a grand show in Mumbai on New Year's Eve. Katrina would be performing at Mumbai's plush J.W. Marriott hotel on 31st Dec 08. The actress, needless to say has been paid a huge sum of money, for this performance. While Rocky S will design a sexy outfit for Katrina, Bosco-Caesar will choreograph the show. A source close to Katrina said, “Yes, Katrina is getting Rs 1 crore and she will dance to some very racy numbers. Top Bollywood actresses dancing on New Year's Eve is very exciting.” Katrina, however, refused to confirm the amount but said, “Yes, I am performing at the Marriott on December 31. We have finalised the deal.” Noted designer Rocky S would be in charge of her costumes while Bosco-Caesar will be choreographing her act. It may be recalled that last New Year's Eve saw Bipasha Basu performing at the same hotel while the year before that saw Mallika Sherawat move her body. This year however, all eyes will be on Katrina, as she brings in the New Year performing to some of her biggest hits. So all you die-hard Katrina Kaif fans, you know where to go this New Year's eve.

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Priyanka and her Hottttt love-making scenes in Fashion

They only kept talking about a kiss in Love Story 2050. Harman Baweja didn't even get a peck from his real- life girlfriend Priyanka Chopra. But newcomer Arjan Bajwa already has a full-fledged love- making scene with Priyanka Chopra in Fashion—her boldest to date, far more so than what she did with Akshay Kumar in Andaaz and Aitraaz. Priyanka laughs off the suggestion of boldness in the love-making scene. "Please! You make it sound so HOTTTTTT! It is NOT! What's all this about explicit love scene? Please, I'm too much of a girl nextdoor to do any of that. We don't kiss. But yes, Arjan and I do share a lovers' relationship. So yes, we do have a love scene. But it's nothing to get all hot and bothered about, not in today's day and age." Interestingly Arjan isn't the first newcomer to do a love scene with a screen diva. Irrfan Khan had a torrid love sequence with the gorgeous Dimple Kapadia in his debut film Drishti and Shekhar Suman in his very film Utsav poured milk all over a semi-clad Rekha. Laughs Arjan, "Was I nervous? You bet I was. Although I've done six Telugu films before Fashion I hadn't really done a love scene like this before, and that too with someone of Priyanka's stature. To her credit Priyanka put all my nervousness to rest. If it wasn't for her I'd have died of anxiety. For a newcomer the co-star is decisive point in his confidence level for all times to come." Laughs Priyanka, "Arjan was far more petrified than I imagined. I had to forget all my own nervousness." Adds Madhur, "This isn't the first time that I've done intimate scenes with my lead pair. There was an even more sensitive scene between Tabu and Atul Kulkarni in Chandni Bar. Page 3 had some really hardhitting moments of sexual content. Fortunately for me the actors trust me and my judgement. Priyanka surrendered completely to my vision. When you see her love scene with Arjan you'll realize there's absolutely nothing there that's meant to titillate."

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Sexy Miss India 2000 Pooja Gupta Unseen Bikini Pictures

Sexy Miss India 2000Pooja Gupta Unseen Bikini Pictures

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Aishwarya Rai Hot Exposing

Hot Aishwarya Rai Bachan in a sexy outfit exposing her cool assests and looking geourgeous as always.




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Lakme Fashion Week summed up with a Fashion Parade

It was a fiery end to Lakme fashion week in Mumbai where a number of celebrities walked on the ramp in designer outfits on the final day of the 2008 season. On the day, Celina Jaitely and Mandira Bedi were dressed up in designer outfits of Babita Malkani and Archana Kochhar. Where Anil Kapoor had a very interesting dress up designed by Kunal Rawal. View the pics from the final day of the Mega event.

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Akshay shoots 16 hours a day to give Tasveer team a Diwali break

Akshay Kumar has had a mixed year so far. While Tashan failed to live up to all its hype, Akshay delivered a blockbuster with Vipul Shah's Singh Is Kinng.

Now, the 'Khiladi' Kumar is busy shooting for Percept Picture Company's Tasveer in Cape Town. The film, directed by Nagesh Kukunoor is India's first psychological thriller.



The story goes that Akshay shot for almost 16 hours a day as he wanted the entire unit to take a two-day break for Diwali. In fact, Akki who has been traveling and shooting in various parts of the world throughout the year has hardly got any time to spend with his family. Hence for Diwali, he wanted to be at home at least for two days. He could have easily taken a break for himself and chilled out but he didn't want even the other unit members to be working during Diwali. Hence he went that extra mile to wrap up as much work as possible so that everyone could enjoy a two day break.

Needless to say, producer Shailendra Singh is all praises for the superstar. "Akshay is very close to everyone on the sets and he doesn't want anyone to work on Diwali. He has planned a lavish party for the entire unit on Diwali day here in Cape Town, though he is going to India for two days to celebrate Diwali."

Must say this is one King who indeed has a heart of gold
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HEROES: When laughter landed Mithun in hospital!

We all know that Mithun Chakraborty played the role of a laughing don in DON MUTHUSWAMY but it will be amusing to know that he had a bad laughing experience during the shooting of Samir Karnik's HEROES!

As per Mithun Chakraborty himself, during the Uttarakhand shooting schedule of HEROES, Sohail Khan and Vatsal Seth went berserk while relating some hilarious jokes to him. Infact, Mithun's laughter became uncontrolled, so much so that his heart beat got affected and he had to be taken to a hospital! After that Mithun told Sohail and Vatsal (jokingly) that from next time onwards they must make him cry rather than laugh!

Well, we are quite sure that after seeing the good to decent opening of HEROES (that released last Friday), that too during the normally dull pre–'Diwali' phase, Mithun da must be smiling, if not laughing!
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Thank God for such dedicated actors in our cinem: Nishikant Kamat

The self-effacing director started his career with a Marathi film Dombivli Fast in 2005 which was about a common man losing his patience in the melee of routine jolts and humiliations. It quickly became one of Marathi cinema's moder classaics, spawning a Tamil version and soon a Hindi adaptation too. Kamat's new film Mumbai Meri Jaan tracing trauma after the train blasts on July 11, 2006 is undoubtedly one of the finest socio-political messages delivered through the cinematic medium in recent times. Kamat chats with Subhash K Jha There's a spate of films including your Mumbai Meri Jaan on different aspects of terrorism. Do you see that as a heatlhy sign? I see that as a sign of the times. We're going through very troubled times. Cinema is meant to be reflect contemporary reality. All these films on terrorism coming together is just a bizarre not a bazaar coincidence. My idea behind making Mumbai Meri Jaan is to show how people survive a personal tragedy. I was more interested in the characters than the tragedy of the train blasts. The footage showing the blasts is palpable? I recreated the blasts rather than using news footage. It took me 15 days to shoot the blasts scenes. By coincidence all my three films so far have trains as a backdrop. I don't think I'll make another film with trains at the backdrop for another ten years. That the blasts happened in trains was a grim fact I had to incorporate in my film. I did a lot of technical research about the locations and timings of the blast. Beyond that everything in Mumbai Meri Jaan is fictional. Yes, the characters are made up. But I'm sure a lot of people went through the same emotions after the blasts. I haven't experienced any of the things shown in my film. But I'm sure they've happened to people. I lived with my characters for two years. They drained me emotionally. I don't know when I'm going to direct again. Of the characters in film which one do you identify with the most? The one played by Madhavan. Like him I'm proud to be an Indian. But when a tragedy like a bomb blasts happens it shakes your faith in the nation. I came very close to the 1993 Mumbai blasts. I passed close by to where one of the blasts occurred. That traumatized me and I've poured my heart out into Madhavan's character. He expresses the fears that I felt 15 years ago when the blasts happened. I feel any act of extremism over a city causes the anthill effect. A stone hits the anthill, the ants are traumatized. But they immediately get to rebuilding their anthill. Neeraj Pandey who has directed another film on terrorism A Wednesday says when we talk of the resilience of the Mumbayites after every attack we're only looking for another word for acceptance out of compulsion. That's partly true. We're truly tolerant. After each attack the people feel helpless. But Mumbaiyites do have the inner strength to bounce back. I really don't have the answers. I've only put across the problem in Mumbai Meri Jaan. A lot of the credit for the authenticity of my film goes to Yogesh Doshi for his colloquial dialogues. I was not sure whether the episodic format of filmmaking was going to work in this film. Episodic films haven't worked in Hindi cinema so far? I was aware of that. It was a new style of narration fo me.A lot of people wanted to know why I was doing five stories in one film. But these five characters had to have their say. The script chose the actors. Every actor from Paresh Rawal to Soha Ali Khan said yes when they read the script. Writing the script took nine months, casting just took one month. I knew KayKay Menon and Irrfan from the time I worked with them on television ten years ago. For them too it was the script. And thank God for such dedicated actors in our cinema. Otherwise a film like Mumbai Meri Jaan can never be made. I'm deeply honoured to have worked with such a great bunch of actors. Paresh Rawal is an institution.KayKay has a great eye for detail. Irrfan 's understanding of a character is incomparable.Soha Ali Khan pushed herself beyond the edge. And Madhavan didn't have to act at all. Why do you think it didn't get a large audience? I've no clue. I don't think about the boxoffice when I make a film. I just make what I have to without considering the consequences. It's been a strange but enriching journey for me, from Marathi to Tamil (which I didn't know a word of ) to Hindi. I hope the journey continues to make me a wiser and better director.

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