Priyanka and her Hottttt love-making scenes in Fashion

They only kept talking about a kiss in Love Story 2050. Harman Baweja didn't even get a peck from his real- life girlfriend Priyanka Chopra. But newcomer Arjan Bajwa already has a full-fledged love- making scene with Priyanka Chopra in Fashion—her boldest to date, far more so than what she did with Akshay Kumar in Andaaz and Aitraaz. Priyanka laughs off the suggestion of boldness in the love-making scene. "Please! You make it sound so HOTTTTTT! It is NOT! What's all this about explicit love scene? Please, I'm too much of a girl nextdoor to do any of that. We don't kiss. But yes, Arjan and I do share a lovers' relationship. So yes, we do have a love scene. But it's nothing to get all hot and bothered about, not in today's day and age." Interestingly Arjan isn't the first newcomer to do a love scene with a screen diva. Irrfan Khan had a torrid love sequence with the gorgeous Dimple Kapadia in his debut film Drishti and Shekhar Suman in his very film Utsav poured milk all over a semi-clad Rekha. Laughs Arjan, "Was I nervous? You bet I was. Although I've done six Telugu films before Fashion I hadn't really done a love scene like this before, and that too with someone of Priyanka's stature. To her credit Priyanka put all my nervousness to rest. If it wasn't for her I'd have died of anxiety. For a newcomer the co-star is decisive point in his confidence level for all times to come." Laughs Priyanka, "Arjan was far more petrified than I imagined. I had to forget all my own nervousness." Adds Madhur, "This isn't the first time that I've done intimate scenes with my lead pair. There was an even more sensitive scene between Tabu and Atul Kulkarni in Chandni Bar. Page 3 had some really hardhitting moments of sexual content. Fortunately for me the actors trust me and my judgement. Priyanka surrendered completely to my vision. When you see her love scene with Arjan you'll realize there's absolutely nothing there that's meant to titillate."

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Sexy Miss India 2000 Pooja Gupta Unseen Bikini Pictures

Sexy Miss India 2000Pooja Gupta Unseen Bikini Pictures

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Aishwarya Rai Hot Exposing

Hot Aishwarya Rai Bachan in a sexy outfit exposing her cool assests and looking geourgeous as always.




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Lakme Fashion Week summed up with a Fashion Parade

It was a fiery end to Lakme fashion week in Mumbai where a number of celebrities walked on the ramp in designer outfits on the final day of the 2008 season. On the day, Celina Jaitely and Mandira Bedi were dressed up in designer outfits of Babita Malkani and Archana Kochhar. Where Anil Kapoor had a very interesting dress up designed by Kunal Rawal. View the pics from the final day of the Mega event.

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Akshay shoots 16 hours a day to give Tasveer team a Diwali break

Akshay Kumar has had a mixed year so far. While Tashan failed to live up to all its hype, Akshay delivered a blockbuster with Vipul Shah's Singh Is Kinng.

Now, the 'Khiladi' Kumar is busy shooting for Percept Picture Company's Tasveer in Cape Town. The film, directed by Nagesh Kukunoor is India's first psychological thriller.



The story goes that Akshay shot for almost 16 hours a day as he wanted the entire unit to take a two-day break for Diwali. In fact, Akki who has been traveling and shooting in various parts of the world throughout the year has hardly got any time to spend with his family. Hence for Diwali, he wanted to be at home at least for two days. He could have easily taken a break for himself and chilled out but he didn't want even the other unit members to be working during Diwali. Hence he went that extra mile to wrap up as much work as possible so that everyone could enjoy a two day break.

Needless to say, producer Shailendra Singh is all praises for the superstar. "Akshay is very close to everyone on the sets and he doesn't want anyone to work on Diwali. He has planned a lavish party for the entire unit on Diwali day here in Cape Town, though he is going to India for two days to celebrate Diwali."

Must say this is one King who indeed has a heart of gold
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HEROES: When laughter landed Mithun in hospital!

We all know that Mithun Chakraborty played the role of a laughing don in DON MUTHUSWAMY but it will be amusing to know that he had a bad laughing experience during the shooting of Samir Karnik's HEROES!

As per Mithun Chakraborty himself, during the Uttarakhand shooting schedule of HEROES, Sohail Khan and Vatsal Seth went berserk while relating some hilarious jokes to him. Infact, Mithun's laughter became uncontrolled, so much so that his heart beat got affected and he had to be taken to a hospital! After that Mithun told Sohail and Vatsal (jokingly) that from next time onwards they must make him cry rather than laugh!

Well, we are quite sure that after seeing the good to decent opening of HEROES (that released last Friday), that too during the normally dull pre–'Diwali' phase, Mithun da must be smiling, if not laughing!
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Thank God for such dedicated actors in our cinem: Nishikant Kamat

The self-effacing director started his career with a Marathi film Dombivli Fast in 2005 which was about a common man losing his patience in the melee of routine jolts and humiliations. It quickly became one of Marathi cinema's moder classaics, spawning a Tamil version and soon a Hindi adaptation too. Kamat's new film Mumbai Meri Jaan tracing trauma after the train blasts on July 11, 2006 is undoubtedly one of the finest socio-political messages delivered through the cinematic medium in recent times. Kamat chats with Subhash K Jha There's a spate of films including your Mumbai Meri Jaan on different aspects of terrorism. Do you see that as a heatlhy sign? I see that as a sign of the times. We're going through very troubled times. Cinema is meant to be reflect contemporary reality. All these films on terrorism coming together is just a bizarre not a bazaar coincidence. My idea behind making Mumbai Meri Jaan is to show how people survive a personal tragedy. I was more interested in the characters than the tragedy of the train blasts. The footage showing the blasts is palpable? I recreated the blasts rather than using news footage. It took me 15 days to shoot the blasts scenes. By coincidence all my three films so far have trains as a backdrop. I don't think I'll make another film with trains at the backdrop for another ten years. That the blasts happened in trains was a grim fact I had to incorporate in my film. I did a lot of technical research about the locations and timings of the blast. Beyond that everything in Mumbai Meri Jaan is fictional. Yes, the characters are made up. But I'm sure a lot of people went through the same emotions after the blasts. I haven't experienced any of the things shown in my film. But I'm sure they've happened to people. I lived with my characters for two years. They drained me emotionally. I don't know when I'm going to direct again. Of the characters in film which one do you identify with the most? The one played by Madhavan. Like him I'm proud to be an Indian. But when a tragedy like a bomb blasts happens it shakes your faith in the nation. I came very close to the 1993 Mumbai blasts. I passed close by to where one of the blasts occurred. That traumatized me and I've poured my heart out into Madhavan's character. He expresses the fears that I felt 15 years ago when the blasts happened. I feel any act of extremism over a city causes the anthill effect. A stone hits the anthill, the ants are traumatized. But they immediately get to rebuilding their anthill. Neeraj Pandey who has directed another film on terrorism A Wednesday says when we talk of the resilience of the Mumbayites after every attack we're only looking for another word for acceptance out of compulsion. That's partly true. We're truly tolerant. After each attack the people feel helpless. But Mumbaiyites do have the inner strength to bounce back. I really don't have the answers. I've only put across the problem in Mumbai Meri Jaan. A lot of the credit for the authenticity of my film goes to Yogesh Doshi for his colloquial dialogues. I was not sure whether the episodic format of filmmaking was going to work in this film. Episodic films haven't worked in Hindi cinema so far? I was aware of that. It was a new style of narration fo me.A lot of people wanted to know why I was doing five stories in one film. But these five characters had to have their say. The script chose the actors. Every actor from Paresh Rawal to Soha Ali Khan said yes when they read the script. Writing the script took nine months, casting just took one month. I knew KayKay Menon and Irrfan from the time I worked with them on television ten years ago. For them too it was the script. And thank God for such dedicated actors in our cinema. Otherwise a film like Mumbai Meri Jaan can never be made. I'm deeply honoured to have worked with such a great bunch of actors. Paresh Rawal is an institution.KayKay has a great eye for detail. Irrfan 's understanding of a character is incomparable.Soha Ali Khan pushed herself beyond the edge. And Madhavan didn't have to act at all. Why do you think it didn't get a large audience? I've no clue. I don't think about the boxoffice when I make a film. I just make what I have to without considering the consequences. It's been a strange but enriching journey for me, from Marathi to Tamil (which I didn't know a word of ) to Hindi. I hope the journey continues to make me a wiser and better director.

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I don't think my voice suits Salman Khan: A.R. Rahman

This year has been a treat for A.R.Rahman fans. After a royal, vintage score in Jodhaa Akbar you gave us the peppy and zany Jaane Tu...Ya Jaane Na. What do you have in store for your fans with Yuvvraaj? The music of Yuvvraaj is something which we (Mr, Ghai, Gulzaar saab and myself) have all worked very hard on. Since the film itself is a musical, the music plays a very important role. I wouldn't like to say much about what's in store as far as the music goes. I don't even want to say the clichéd stuff that this is completely different from what I have done. All I would like to ask the people is to listen it for themselves and I hope they like it (smiles). Subhash Ghai's films are known for the music and this one is a musical. You've worked with Mr. Ghai earlier in Taal and then in Kisna. How similar or different has been the experience working with the showman? It has always been a pleasure to associate with Subhashji on his projects. Working on the music of Yuvvraaj has been a creative challenge for me, as Subhashji has always been associated with melodious music and has a vast understanding about the subject. As for comparisons with Taal, all I would say is that this is completely different. It's a different story, set in a different place and is also multi-cultural. Taal was more Punjabi-friendly, remix, rhythmic kind of music etc. whereas Yuvvraaj is more about melody and love etc... Yuvvraaj being a musical and a grand film, audio is just 50%. The visuals and the music complement each other. Did you give him many sleepless nights considering you like to work at night? I had a request from Mrs. Ghai asking me not to work very late in the night. So whenever it was 12 at night, I used to tell him, "I am tired. So let's call it a day" (laughs) The music of Yuvvraaj has a very European kind of a feel with symphony, large scale orchestrations etc. Yeah, we've used a Motif from Beethoven's 5th Symphony because the story is set in Austria/ Prague etc. Hence, we wanted that experience and feel to come alive through the music. After 'Jashn-e-Bahaara', Javed Ali became a household name; after 'Kabhi Kabhi Aditi', Rashid Ali had truly arrived. Do you think it's going to be Benny Dayal this time who has crooned the soulful 'Tu Hi Toh Meri Dost Hai' in Yuvvraaj? I hope so (smiles). I really wish Benny has a great future. He is a very hardworking boy. In fact, he has even sung a song for me in Ghajini which I am sure people will like. My best wishes are always with him. You are known to give new singers a chance be it Naresh Iyer or Rashid Ali or Benny Dayal. How do you find this new and untapped talent every time? It just happens. We just check them out and if they are good enough we give them a break (smiles). They usually say that you reserve the best track for yourself in every album, be it 'Khwaja Mere Khwaja' in Jodhaa Akbar or 'Tu Bole' in Jaane Tu....is it true in the case of Yuvvraaj? (smiles) In Yuvvraaj, I have not sung much. I have just sung bits and pieces here and there. Though Mr. Ghai wanted me to sing, I don't think my voice matches Salman Khan's. He has a much deeper voice. If I feel convinced that it's working for the betterment of the film's music I retain it, else I remove it. How long did it take to compose the music for Yuvvraaj and what was the brief given? The initial brief was Mr Ghai always wanted to have a full fledged orchestra kind of a musical score and with Yuvvraaj he has fulfilled his desire. I hope people like it and appreciate it. Lyrics have been written by Gulzar Saab...How has been the experience working with him? I love working with Gulzaar saab. His whole temperament and vast experience is something which I really admire. All the films that I have worked with him have been really enjoyable. I know one should never ask a music composer to pick his favorite track but nevertheless which track is closest to your heart? I like 'Tu Muskura'...it's a really soulful number. A lot has been said about Katrina playing the cello. Whose idea was it and is it the first time that the cello has been used in a Hindi film? It was Mr. Ghai's idea. I don't think the cello has been used in any other Hindi film on screen. The sight of a beautiful girl playing an instrument like the cello seems like an overwhelming visual. It's really nice. Have you used the cello in many songs? It's almost interwoven in every song. Is it true that the sound of the cello is closest to the human voice? Yes...provided it's played properly (laughs) In today's time and age there doesn't seem to be any rivalry among music composers. You have someone like Shankar Mahadevan who every now and then sings for Vishal-Shekhar and even Vishal has sung a lot for Shankar- Ehsaan-Loy. Have you been approached by other music composers to song and will you do that? I have been approached. They have been very kind to ask me to lend my voice but I am signed by a company and hence cannot go beyond my contract. Which soundtracks have you liked in the recent past? I've heard a couple of songs of Rock On. I loved the trailer and the whole concept seems really interesting. I want to watch Rock On. Earlier this year, on your birthday you launched your dream project K M Music Conservatory in Chennai. How is work coming along on that front? It has been really good. The first batch of students has already been enrolled and the response has been more than encouraging. Is it true that you are part of a T.V. show called The Big Band? Could you take us through that? The Big Band is a search for the best band. I liked the concept when Phat Phish came and narrated the idea to me. We are looking at exploring talent not just across India but also from neighboring countries such as Pakistan, Bangladesh, Sri Lanka, Malaysia etc . It will also facilitate in some sort of a cultural exchange between our musicians and their musicians. I am really excited about being part of the show. Finally, what's next in line after Yuvvraaj? After Yuvvraaj, there is the Aamir Khan starrer Ghajini. I am also doing the music for Shree Ashtavinayak Cine Vision Ltd.'s multi-starrer Blue. There is also Danny Boyle's Slumdog Millionaire, the music of which is already done. So there's a lot to look forward too.

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