Aladin - Music Review

Singers: Shankar Mahadevan, Shaan, Amitabh Bachchan, Shreya Ghosal, Sudesh Bhosle, Vishal Dadlani, Shekhar Ravjiani, Anushka Manchanda, Sunidhi Chauhan and Sanjay Dutt Lyricists: Vishal Dadlani and Anvita Dutt Guptan Music Directors: Vishal-Shekhar Rating:*** The soundtrack of the much-talked about Amitabh Bachchan-starrer "Aladin", a contemporary take on the classic fairy tale, is racy and energetic. Composer duo Vishal Dadlani and Shekhar Ravjiani have tried to go beyond their usual tunes and beats. "Aladin" contains six originals and two remixes. It opens with "Genie rap", where Amitabh turns rapper along with Anushka Manchanda. The song seems to be a situational number and doesn't interest much. "Genie rap" has a remixed version too by DJ Suketu. This version is faster and has more beats. Up next is "Tak dhina din", the title track. Sung by Shankar Mahadevan and Shaan, the song starts with a bang and is full of energy. The tempo is maintained all through. Then we have a complete shift of genre with "O re saawariya". It has a soft start but picks up pace later. It's an entertaining piece with a mix of classical and rustic influences. Sudesh Bhonsle, Shreya Ghoshal, Shaan and Amitabh have lent their voice to the song. "O re saawariya" has a remix version again by DJ Suketu. It is foot-tapping and adds more colour to the original song. Next in line is the only soft number of the soundtrack "You may be", which has composers Vishal and Shekhar behind the microphone. A love ballad, it has a mix of English and Hindi lyrics. Soothing to the ears, "You may be" is a pleasing song. "Bachke o bachke" sung by Shankar, Shaan and Sunidhi is another upbeat, foot-tapping number that has a long prelude. Initially the song seems just average, but it grows on you slowly. Finally, there is "Giri giri", a different track sung by Sanjay Dutt. Sanjay doesn't do justice with the song and adds no vocal quality. It is an average number, even though the music is interesting. On the whole, Vishal and Shekhar have composed fast-paced, high on beats songs and most of them are enjoyable.

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Tum Mile - Movie Preview

Two people who meet after a hiatus of six years, now occupying different worlds. Evidently, they had moved on ... What starts off as a seemingly innocuous encounter on the same flight back to Mumbai ends up as a roller-coaster ride through some of the darkest hours of Mumbai, as they see the city get swamped with disaster and loss ... and are forced to stick together in this time of crisis. The story shifts perspective between the past and the present, a glorious but crazy past of two starkly different people falling in love, the differences at first being exciting. Gradually with time, they journey through the emotional pitfalls attached, the constant bickering, the frantic and urgent making up, and irreconcilable differences that give way to a final break up. And then we see those very people struggling their way through a stormy night in Mumbai that threatens to take over the city, their fears and insecurities lying bare as their guard drops. As emotions run high, the two learn more about each other on that night possibly than they knew in all those years of being together — tough situations call on some important revelations and they realize how transient and unpredictable life is and they need to make the most of the time that has been given to them together.

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Kareena Kapoor, Saif Ali Khan hot kiss from Qurbaan : Photos

Kareena Kapoor, Saif Ali Khan lip lock in “Kurban”

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3 KISSESS for Aamir, Bebo

There is also Kareena Kapoor, who is nobody’s fool, and that also everybody knows. But what is just coming out is that the film has three kisses as well that Hirani was not keen to publicise until the film’s launch date. All three kisses are between Aamir and Kareena, naturally.

Aamir, incidentally, famously kissed Kareena’s elder sister Karisma Kapoor in Dharmesh Darshan’s 1996 film Raja Hindustani - a kiss that still holds the record for being one of the most passionate in Bollywood history. And for which, Aamir and Karisma had reportedly done umpteen rehearsals.

The actor continues to be a perfectionist with exacting standards. For a scene in 3 Idiots where Kareena blows him a kiss, they apparently did 14 retakes. That was Kiss No. 1. Aamir improvised then and got Bebo to kiss him on the cheek next. And that was Kiss No. 2. But it’s Kiss No. 3 between the two superstars in the climax of the film over which the buzz has already begun. It’s said to be a proper lip-to-lip kiss.

Aamir and Kareena have a history of near misses. They were to do Mani Ratnam’s Lajjo, a film that had a strong physicality to it, which got shelved. Then Vishal Bharadwaj’s Mr Singh & Mrs Mehta, whose original heroine was Rani Mukerji, but Rani reportedly walked out when she heard there was a kiss involved because she had already got flak for kissing Kamal Haasan earlier in He Ram! That’s when Kareena stepped in... but again, Vishal’s film too didn’t take off. Finally, Aamir and Bebo have got together for 3 Idiots. Happily, the kiss has continued to follow them.

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I didn't rape, it was consensual sex: Shiney tells court

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Shiney Ahuja may not be a saint but he is not a rapist either, the actor's lawyer said pleading for bail.

Arguing before Bombay High Court, after sessions court rejected Shiney's bail plea in the rape case, his lawyer said that evidence indicated a consensual sexual intercourse between the actor and the victim.

"I (Shiney) am not a saint in a sense, but not a rapist," said advocate Shirish Gupte, representing Shiney.

Shiney was arrested by police on June 15, after his domestic maid alleged rape. Since then he is in custody, and the lower court is set to frame charges in the case.

Gupte argued that medical and other evidence suggested that intercourse was entirely with the girl's consent. Gupte said that there were no injuries on the girl's body nor were there any signs of damage on her clothes, to suggest use of force.

Also, no body fluids were found on her clothes, he pointed out. The girl's 'pattern of behaviour' shows that she was the consenting party, Shiney's lawyer argued.

"She was habituated to this (intercourse)", he alleged, saying that "she had history of closeness to men".

Gupte said that as per medical reports, there were no injuries on Shiney's body, barring one between two fingers of hand. "It could be love-bites... or she clutched his hand very hard," he said, adding that had the girl resisted, she could have scratched Shiney's face, or upper body, and face.

Gupte also alleged that on the night before the incident, the girl had called Shiney's house 10 times from her cell phone.

The girl had told the police that on June 13, a day before the incident, Shiney had touched her in a wrong way when she had clambered on a basin to turn on overhead water tank, and she had chided him for that.

She did not tell this to other maidservants or to anybody else, Gupte pointed out.

Even in the statement recorded before magistrate, the girl used the word 'atyachar' (atrocity) and did not mention rape," he argued, adding that medical report too does not say there was intercourse.

Gupte also mentioned that though the victim's vaginal swab was taken for examination, medical report talks about 'slide', and not a swab.

Refuting the lower court's observation that Shiney was an 'influential person', and he may pressurise victim if released on bail, Gupte said, "He is not on the high pedestal of acting. He is a small-time actor."

Argument will continue before Justice A P Deshpande tomorrow

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When Akshay questioned Tony on BLUE

In a few days from now, BLUE would be there for everyone to see. Touted to be India's first underwater film which would actually go on to match international standards of film making, BLUE promises to bring with it some never seen before visuals and stunts. Considering the fact that Akshay Kumar, the antagonist of the film, has been known for breaking the barriers when it comes to action flicks, what was his reaction when Anthony D'Souza a.k.a. Tony first came to him with the idea of BLUE?

''The first thing I did was watch straight into his eyes and ask him - 'Do you actually think you are capable enough of making a film of this scale, genre and setting? You may say that you want to shoot the film in space or on the moon but kehna alag hai aur karna alag! So how will you actually shoot the film?' - reveals Akshay.

As things turned out, Tony had done his homework well in advance and showed some of his work from the past which included certain advertisements he had directed as well as some groundwork on BLUE.

''Honestly, it all led me to at least started lending an ear to him'', confesses Akshay, ''I became further and further immersed into knowing how he was going to execute BLUE. After all there were also going to be extreme stunts in it and that too under water. Then Tony also showed me the work of the DOP. He is the same guy who has also shot PIRATES OF THE CARIBBEAN. He even made me talk to him and once I did that, I was quite satisfied that at least Tony had his heart in the right place and he had done his homework well.''

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Salman Khan gifts Kareena Kapoor Rs.250,000 bag

Bollywood star Salman Khan went out of his way and gifted a branded bag worth Rs.250,000 to his 'Main Aurr Mrs. Khanna' co-star Kareena Kapoor.

Kareena and Salman went shopping together in Australia while they were shooting for the film and the young actress fell for a Dolce and Gabbana handbag.

'Kareena would usually land up shopping in the evenings after the shoot in Australia. She would go alone. But on one occasion, Salman accompanied her too,' said a unit source.

'She instantly liked a Dolce and Gabbana bag, stepped in and bought it. When she was about to pay the storekeeper refused to take the money saying it had already been paid for. Kareena stood zapped and wondered who could be that generous soul. It was only later that she got to know that it was Salman who had paid,' the source added.

The two actors plays main leads in Prem Soni's directorial debut 'Main Aurr Mrs.Khanna'. Sohail Khan, who has co-produced the movie with UTV SpotBoy Pictures, is also starring in it.

The film is scheduled for release Oct 16.

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Movie Review Wake Up Sid

Recall those years when partying hard was the only agenda on your list. Recall those years when staying awake at nights, chatting away with friends became a habit. Recall those years when bunking college and sneaking into movie halls was more exciting than books. Recall those years when you were completely clueless and aimless about the vocation you wanted to pursue once you graduated… That indecisive phase when you were hesitant to take that first big step in life can never be erased from your memory.

WAKE UP SID, directed by debutante Ayan Mukerji, is like revisiting those years that lay at some remote corner of your mind, after you moved on in life.

Actually, WAKE UP SID is a slice of life film. It's not merely real in concept, but has also been told most realistically, so much so that you can't help but draw parallels with your life or with someone you know. But what really makes WAKE UP SID most believable is Ranbir Kapoor, who's mastered the craft at such a young age.

Verdict? WAKE UP SID mirrors those years with flourish. This one's a simple story that strikes a chord instantly. Strongly recommended!

WAKE UP SID tells the story of Siddharth aka Sid [Ranbir Kapoor], a lazy, unmotivated slacker from Mumbai whose life undergoes a series of changes after taking his final year college exams. Sid's world is breezy, carefree and without any true responsibilities.

Sid thrives around his two best friends, Rishi [Namit Das] and Laxmi [Shikha Talsania], very rarely communicates with his mother Sarita [Supriya Pathak] and takes his father Ram Mehra [Anupam Kher] and all his hard-earned wealth for granted. Despite all these traits, Sid is an honest boy; sweet, funny and above all, a good friend.

Aisha Bannerjee [Konkona Sen Sharma], an aspiring writer from Kolkata, learns this soon enough when her path crosses with Sid's on her first day in Mumbai. Ambitious, well-read and driven, Aisha has come to Mumbai to realize her dreams as a writer. Despite their contrasting personalities, Sid becomes Aisha's first friend in the city.

As Aisha sets up her life in Mumbai, with the help of Sid and his gang, Sid allows for time to fly by over long drives, parties that stretch well into dawn, and endless hours doing absolutely nothing. But a series of circumstances and events compel him to take stock of his life and take a hard look at himself.

Let's not compare WAKE UP SID with anything you've watched before. Not DIL CHAHTA HAI. Not LAKSHYA either. Debutante director Ayan Mukerji narrates a story that you can relate to instantly and treats it with utmost care. A few moments linger in your memory and evoke bitter-sweet memories.

The first hour, right till the intermission, sweeps you off your feet. You get drawn into Sid's world instantaneously; you react to everything he does. But the post-interval portions slackens, courtesy the writing. The Rahul Khanna track, for instance, looks half-baked. Also, the story stagnates after a point and hence, the pacing gets very slow. It's only towards the finale that things perk up. Ideally, the film could've done with some trimming in this hour.

Ayan Mukerji packs in a solid punch in most parts of the film. The emotional moments especially gets you all moist-eyed. The humour too is well integrated in the sequences. Even the confrontation between the father and son is superb. Prior to that Konkona's birthday sequence is amongst the finest sequences of the film. Music [Shankar-Ehsaan-Loy] is melodious. Anil Mehta's cinematography is top notch. Niranjan Iyengar's dialogues are just right.

There's no denying that Ranbir Kapoor is a supremely talented actor, but in WAKE UP SID, he proves that he's amongst the best in the business today. No one could've portrayed Sid as effectively as Ranbir has enacted, that's for sure. This is an award-worthy performance.

Konkona is natural to the core and the best part is, she's so effortless. Here's another winning performance from this incredible performer. Anupam Kher is wonderful. Ditto for Supriya Pathak. Both shine in their respective parts. Namit Das and Shikha Talsania are perfect. Rahul Khanna doesn't get any scope.

On the whole, WAKE UP SID is a well-made film that should strike a chord with the youth mainly. A metro-centric film, the film should attract its target audience and should also prove to be the first choice of the elite/urban audience this Friday. Its distributors [UTV] have very rightly released the film at plexes of metros and mini-metros [instead of flooding the market with physical and digital prints], which in turn should only make this small film talked-about in days to come. Thumbs Up!

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