No mini-skirts for Riya Sen

Actress Riya Sen, who made her Bollywood debut in 2001 with "Style", a sex comedy and later went on to wear revealing clothes in "Jhankaar Beats", says that people will hardly find her wearing a mini-skirt. "I am very fussy about my clothes and very moody as well. One will never catch me in a mini-skirt just like that, " Riya said after walking the ramp for designer Ranna Gill at a recently held Wills Lifestyle India Fashion Week (WIFW) here. The surprising fact was that she sashayed across the ramp wearing a "mini-skirt" with a short jersey top teamed with a big necklace to jazz up the look.

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Add to My MSN Add to My Yahoo Minissha disappointed with her failed Bikini act

Bollywood actress Minissha Lamba, whose much-hyped last venture "Kidnap" bombed at the box office, says she is disappointed that the film didn't turn out well at the box office. "I am disappointed that 'Kidnap' didn't turn out well. It really feels sad when you work so hard for a film and which is so close to you and it doesn't do well, " Minissha said. The actress shaved off seven kg for her role as a 17-year-old teenager in the film following a rigorous regime over a period of eight months. However, Minissha says she would never go to the extremes of putting on mass for a character in any film. "I am never ever going to put on weight for a character in a film. I am one of those body types who find it very difficult losing weight and so I am never going to do that. Putting on weight is a nightmare for me, " she said.

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No cheesy sex comedies, you're in Dubai

Shooting slick action films and cheesy sex comedies in Dubai will no longer be easy. According to new ground-rules laid down in the duty-free city Bollywood producers now have to submit their scripts for consideration before they are allowed to shoot. And one of the first casualties of this revised rule for creative freedom was Vashu Bhagnani who proceeded with director David Dhawan, and his cast of Govinda, Sushmita Sen Lara Dutta, Sohail Khan, Riteish Deshmukh and Ranvir Shorey after a luxuriant shooting schedule in Abu Dhabi for the David Dhawan directed Do Knot Disturb, to Dubai on Sunday… ….Only to be politely told to halt by Mediacity in Dubai who monitor all cultural activities. Says Vashu, "It was a setback, yes. We were stopped. But with reason. I don't disagree with the new rules because Dubai is being constantly misused by Bollywood filmmakers. They keep coming down here in Dubai to make sexy films or cheap stunt films. These were bringing a bad name to Dubai globally as a city of crime and quick pleasure." Dubai, apparently wants a change of image. And Bollywood would have to comply. Says Vashu, "Mediacity now expects us to submit our script in advance. I wasn't aware of this rule. So after we left Abu Dhabi and reached Dubai we had to wait until I could give them a copy of the script. The authorities were very nice to us. They even offered to let us shoot before the papers were formally cleared. But I decided we needed to go by the rules to set an example for Bollywood teams who come to shoot after us." The message is clear. Don't mess around in Dubai.

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If Ash-Madhuri can, why Riya and Raima can't?

Remember how Sanjay Leela Bhansali defied Saratchandra Cahtterjee's novel and made the purists howl in protest by bringing 'Paro' Aishwarya Rai and 'Chandramukhi' Madhuri Dixit in Devdas together, just so that audiences don't feel cheated about the two two actresses not coming together? If Raima Sen has her way she too will get her director to redefine a literary work for practical commercial reasons. Rabindranath Tagore may or may not like it. But Raima will came face to face with her sister Riya Sen in Rituparno Ghosh's adaptation of Tagore's novel Nauka Dubi. "There's no way the audience will accept me and my sister in the same movie without having scenes together. In the original story our characters don't come together at all. But Riya and I have to come face to face in our first film together." Raima who's currently working on the sets of two films simultaneously is kicked by the idea of sharing screen space with her sister. "We were supposed to come together earlier in Vicky Chopra's Seasons Greetings. But that didn't work out. It was an episodic film and we just had a small segment to ourselves." And though the producers have plans to dub Nauka Dubi into Hindi Raima is totally opposed to it. "I know how strange it sounds when my Bengali films are dubbed into Hindi. It happened with Anuranan and and more recently with Khela. When Pradeep Sarkar when to see Khela he told me he had gone to see a Bengali film. He ended up watching a Hindi film. Rabindranath Tagore's characters will look very strange talking in Hindi." It was Riya who brought the Nauka Dubi project together.

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King Khan will light up your next Diwali

For all those who felt bad about the fact that King Khan was missing in action this Diwali, there's some good news. There will be much of SRK in the latter part of 2009. The word is that Yash Raj Films have signed up their favourite SRK again. No, this one isn't a comeback vehicle for old-timer Yash Chopra but a film with Ashutosh Gowarikar's assistant Rakesh Kapoor (the Yash Raj banner is promoting another new talent!) Rakesh has reportedly said, "I cannot say anything. I just want to thank Adi (Aditya Chopra) as he called me up last week and selected my script and me as director. I am really excited as this will be the biggest film to come out in 2009, touchwood. Shah Rukh is fixed and my friends Shankar-Ehsaan-Loy are doing the music. We are starting from March after Shah Rukh comes back from the US. Adi has said that they will release this film on 2009 Diwali." SRK's 'My Name Is Khan' directed by Karan Johar is also releasing around Christmas 2009 and if this film happens it will be a double bonanza for SRK fans! His home production 'Billoo Barber' releases early next year as well. So it's King Khan all the way in 2009!

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How Vidya Balan ditched Sooraj Barjatya

Vidya Balan ditched Sooraj Barjatya at the last minute. This may sound shocking but it is actually true! Rajshri Productions' Ek Vivah Aisa Bhi was to star Vidya Balan in the lead opposite Bobby Deol originally. But now the November 7th releasing film has Eesha Koppikar along with Sonu Sood playing the main lead. So what went wrong? Our sources revealed, "Sooraj Barjatya had approached Bobby Deol and Vidya Balan for his written film Ek Vivah Aisa Bhi being directed by debutante Kaushik Ghatak. They both had given their consent for the film. But then though Bobby initially found the family oriented subject appealing, as the days progressed he developed cold feet. He excused himself out of the film citing dates problem. Sooraj had hoped that he would find a suitable actor in the A list to play the romantic lead opposite Vidya. But as that didn't look to materialise, Vidya chickened out of the project preferring to do Kismat Konection along with Shahid. Sooraj was then left with no option but to rope in small names like Eesha Koppikar and Sonu Sood to stop the film getting stalled even before it was about to be shot!" It looks a remote possibility that Sooraj Barjatya will now ever approach either Vidya Balan or Bobby Deol to star in any of his Rajshri banner films!

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Fashion - Movie Review

Are you ready for an expose on the fashion industry? Where designers pass off 'Indira Market, Bangkok' stuff as their own creation. Where ad agency/fashion mag honchos call the shots. Wild lifestyles, backstage dramas, wardrobe malfunction, casting couch… ouch, ouch, ouch!

Madhur Bhandarkar, the undisputed king of realistic fares, comes up with yet another hard-hitting film that enlightens you, moves you, motivates and deflates you, even shocks and surprises you and of course, entertains you.

The solid reason why FASHION works is because Madhur brings alive everything you've read in newspapers or watched on TV as an outsider, to the big screen. And that works and how!

But let's not give the subject material all importance, for Madhur's handling of the subject is exemplary. Madhur dresses up his mannequins well, but most importantly, infuses life in those prime bodies. A number sequences leave you tongue-tied [more on that later].

But there's a hitch. And this problem tones down the impact considerably. The running tine of almost 2.40 hours makes you restless, especially the penultimate 25-odd minutes. Yet, all said and done, FASHION has all it takes to be the showstopper this Diwali!

FASHION tells the story of a small-town girl with a dream and the determination to make it a reality. Meghna [Priyanka Chopra] is ambitious, she wants to attain the status of a supermodel. She realises her dreams and rises to walk the ramps for leading designers across India.

But Meghna has to pay the price for her fame and her journey to the top. Her career starts sliding downwards. In this journey of Meghna, she encounters a number of people. Most importantly, Shonali [Kangna Ranaut] and Janet [Mugdha Godse]. Also, Abhijit Sareen [Arbaaz Khan], a tycoon who controls the fashion industry.

CHANDNI BAR, PAGE 3, SATTA, CORPORATE, TRAFFIC SIGNAL -- every Madhur Bhandarkar film has a new story to tell and he tells it most convincingly. In fact, Madhur strikes a fine balance between realism and entertainment in every film. Given the fact that FASHION is all about the fashion industry, the narrative is inevitably filled with lots of glam-n-glitz moments. The fashion shows, the stunning models, the superb styling, the vibrant colours and the behind the scenes drama is worth every penny spent on the ticket.

But it's not just ramp shows and style-n-fashion here. There's a story running concurrently -- of three models. One, the rise of an unknown into a supermodel. Two, the fall of a supermodel to dust. Three, the ambitious model not achieving success, but opting for a marriage of convenience.

While Madhur has handled the theme as if he were an insider, this review would be incomplete if you ignore two major sequences that are simply outstanding. One, Kangna's wardrobe malfunction and two, when Priyanka exposes Arbaaz to his wife [Suchitra Pillai].

Mahesh Limaye's cinematography captures every aspect of the fashion industry to the fullest. The screenplay [Madhur Bhandarkar, Anuradha Tiwari, Ajay Monga] is perfect, except for the penultimate portions. Niranjan Iyengar's dialogues are fantastic. Nitin Chandrakant Desai's production design is truly upmarket. The costumes and styling are top notch, a feast for the eyes. Salim-Sulaiman's music is well synchronised as well. 'Mar Jaava' and 'Jalwa' are lilting creations.

Madhur places immense trust on Priyanka and she is remarkable all through, more towards the second hour. Post AITRAAZ, FASHION is another medal that shines the brightest when you look at her body of work. But the real star is Kangna. Her role may not be as lengthy as that of Priyanka, but the actress pitches in an awesome performance. Her confidence at the very start is infectious and her overall performance deserves an ovation.

Mugdha Godse is, again, supremely confident. She has dum. Arbaaz Khan is first-rate. Arjan Bajwa does well. Harsh Chhaya, the gay designer, stands out with a realistic performance. Ashwin Mushran, Priyanka's confidante, is top notch. Samir Soni is good. Suchitra Pillai and Kittu Gidwani are effectual. Raj Babbar and Kiran Juneja are seasoned in such roles.

On the whole, FASHION has tremendous curiosity value and also shock value for the Indian audiences. Its subject -- the behind the scenes working and drama of the fashion industry -- is its USP. At the box-office, the pre-release hype and buzz will ensure a successful run for the film. Its business at multiplexes mainly should be bountiful. However, trimming the film will only help; not only will it enhance the film, but also its business. Must watch!

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Golmaal Returns - Movie Review

Two years ago, Rohit Shetty came up with a breezy entertainer GOLMAAL, which, most people agree, is the capable director's finest work to date. The comic scenes hit the right notes and buttons. Perhaps, that must've prompted its producers [Shree Ashtavinayak] and Rohit to continue with the GOLMAAL series.

But GOLMAAL RETURNS treats the viewer like a nitwit, with zero brains. No-brainer laughathons have worked in the past and people have catapulted these films to 'must watch again and again' category. But GOLMAAL RETURNS is simply unbearable!

35 years ago, the Kiran Kumar - Radha Saluja comedy AAJ KI TAZAA KHABAR [1973] is the inspiration for GOLMAAL RETURNS. No issues with that, it's an interesting concept. But screenplay writer Yunus Sajawal makes a mincemeat of the material, so much so that your head starts aching after a point and you want to tear your hair in disgust.

Seriously, what was the writer thinking when he came up with a pathetic screenplay? And how did a talented director like Rohit Shetty agree to ride on it? And how could an accomplished actor like Ajay Devgan green signal this enterprise? Questions, questions, questions...

GOLMAAL RETURNS was never meant to be a thinking man's film, but the attitude is, no-brainer comedies have worked and this one will work too. To give the credit where it's due, a few jokes/sequences involving Tusshar and Shreyas do bring a smile on your face, but in the absence of a tight screenplay, the film falls like a pack of cards.

Final word? Golmaal hai bhai script golmaal hai!

Gopal [Ajay Devgan], who lives with his wife Ekta [Kareena Kapoor], sister Esha [Amrita Arora] and brother-in-law Lucky [Tusshar Kapoor], gets stuck in a yacht after saving an attractive woman Meera [Celina Jaitly] from some goons. Both end up spending the night on the yacht and when he comes home the next day, his painfully suspicious wife, who is also a hardcore fan of the saas-bahu serials, smell fish.

Gopal knows it's going to be hard to quell her suspicion, so he concocts a cock-and-bull story about having stayed the night with a fictitious friend called Anthony Gonsalves. Ekta refuses to buy his yarn and writes to Anthony [on a fictitious address given to her by Gopal], asking him to visit her.

Gopal convinces his junior at work, Laxman [Shreyas Talpade], to pretend to be Anthony. Everything goes according to plan till the real Anthony turns up.

If that isn't complication enough for Gopal, a dead body is discovered at the location where he had saved Meera. The Investigating Officer, Madhav [Arshad Warsi], who is Esha's boyfriend and also who cannot stand the sight of Gopal, learns that the latter had been missing from home that eventful night and begins checking on him.

A sequel carries the baggage of humungous expectations. And you definitely expect GOLMAAL RETURNS to be a step forward. The makers had thundered, "GOLMAAL RETURNS is bigger, it's better" and that raises the bar. But the film is such a put off.

Writer Yunus Sajawal takes an interesting premise, but instead of upgrading it, only downgrades it with lacklustre situations. The writing is so weak, so lifeless that after a point you sit motionless, looking at the goings-on mechanically, instead of being a participant.

A few sequences do entertain you, but they're few and far between. Not enough to camouflage the defects. In view of the fact that the writing is so weak, there's not much that director Rohit Shetty can do to save the ship from sinking. However, the dialogues are howlarious. Music is not as inspiring. 'Tha Karke' is the best track, while 'Tu Saala' [well promoted] isn't there in the film and 'Meow' comes during the end credits. And you're exasperated by then!

GOLMAAL RETURNS belongs to Tusshar Kapoor and Shreyas Talpade. Tusshar is terrific yet again, the real scene stealer, while Shreyas displays his comic side very well. Both, in fact, provide respite to the viewer. Ajay Devgan is likable. Kareena does the suspicious wife act well. Celina stays on your mind even after the show is over.

Arshad Warsi is relegated to the backseat. Amrita Arora is strictly okay. Anjana Sukhani gets no scope. Vrajesh Hirjee is alright. Sharat Saxena, Rakhi Vijan, Sanjay Mishra, Murli Sharma, Mukesh Tiwari and Ashwini Kalsekar fill in the blanks.

On the whole, there's tremendous curiosity to watch GOLMAAL RETURNS and the terrific promotion has only enhanced the excitement. But the film is a major letdown in terms of content. Barring a few jokes and gags, this GOLMAAL pales when compared to its first part. At the box-office, expect a terrific start for the film, but GOLMAAL RETURNS lacks the power to stand on its feet after the initial euphoria settles down.

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